
Greetings to all...
I had to make a difficult decision today with regards to deciding on which concert to attend in the evening. Actually, I'm supposed to be in school having orchestra rehearsal, but since I'm under orders not to touch my dear Puchner at all for two months and I am on MC, I was eligible for attending a concert. Hahahaha. You see the problem was that Unc Foo and his quartet were playing for AFAN's Commuter Series and I wanted to be in the audience to give support, BUT I've had already purchased tickets to THREE by SYC Ensemble Singers, Gaia Philharmonic Choir and the Ateneo Chamber Singers, so... Sorry my dear Unc, I was at the Lee Foundation Theatre with you in spirit! :)
Anyway, met Vince for the concert at 715pm outside Mrs. Fields and headed to the Concert Hall. Gosh, the concourse and hall were extremely congested. Been long since I saw so many TKG-ians, sure brought back lots of memories from my younger days! Hmm, was glad my dear Favourite Soprano managed to get me stall seats that were pretty good. Felt good not to have a truckload of juveniles chattering away around you, wahahaha... The programme booklet was utterly cool. I'm not sure if it was just me being too sensitive, but hey..doesn't anyone else think that the programme booklet for the evening brings to mind, Chairman Mao Tse-Tung's
oh-so-famous "little
RED book" that citizens had to carry around in the days of the Great Proletarian Cultural Revolution??
hmmmmmmmm.
And so the concert kicked off with a grand sight of all three choirs up on stage, singing Americ Goh's
"Aeterna Lux, Divinitas". Perhaps it's just me being silly, but somehow there was something touching about seeing so many musicians from three different countries, cultures, backgrounds, roots etc, singing as one voice. To think about it, it's kinda cool huhh? Hahaha. Americ's piece was pretty good. Building of climax, direction in music and creative divison of parts among the choir. Impressed. The triple choir work
"Dona Nobis Pacem" by Gaia Philharmonic's director, Ko Matsushita was interesting and the choice of having the extended choir spread around the hall for the 'surround sound' effect was cool. I found it amazing how Matsushita could use one melodic material but many many rhythmic devices to produce a
sui generis work. Gianpaolo Eleria's arrangement of
"Better World" was moivational. Seeing the three choirs on stage singing
"Better World" brought to mind the many NKF charity shows Singapore has, just that Gurmit Singh, Kym Ng, Taufik or other celebrity hosts weren't on stage asking viewers to dial a certain hotline! One thing for sure, I agree we need a better world!
Anyway, time to get to the point. Ermmm, let's see...
Firstly...
SINGAPORE: the SYC Ensemble Singers
Right, works that were presented were Otto Olsson's
"Ave Maris Stella", Cyrillus Kreek's
"Onnis on inimene", Peteris Vasks's "
Mate Saule", Ryan Cayabyab's
"Preghiera Semplice" and Urmas Sisask's
"Laudate Dominum".
Hmmm. I've got to admit that I have a small list at the back of my minute brain, on which I roughy rank the local choirs. And today SYC has reminded me yet again that a certain other choir is indeed pushing higher on the 'ladder' as compared to them. I do not say this in disrepect to SYC because I've always held the choir in high esteem and attend as many of their performances my wallet and schedule allows. It's just that today, and at the
Gloria concert the choir had, there's an element missing, thus a fan like me can't help but feel slightly disappointed.
There they were on stage, clad in their smart and trendy uniforms, armed with their scores and with their voices, but what has seemed below average. Vince kept turning to me and whispering, "eh I thought you said they're good? I'm bored", and all I could do was give him a shrug. Sigh, it's puzzling. The choir was fantastic at their
Winter Solstice concert and the concert with guest conductor
Gary Graden was simply spectacular! Today the choir looked confident, but they sounded uninterested, uninspired, under-rehearsed, untidy and unsure. Woahh, that's five '
un-s' in a row, tsktsktsk.
The ultimate comment of the day made by my dear friend Vince was, "hey, don't you think the SYC's music, tone etc is just like someone? If you listen to them, you're reminded of Jennifer Tham. When you look at them, hey hey, you realise that she IS standing up there with them. Cold, detached and without feeling, just like Jennifer Tham..."
I was momentarily taken aback by Vince's comment, but in a place within my thick skull I couldn't help but realise that I agreed with Vince's statement to a certain extent. Sigh.
I shall not comment further on SYC, because I'm sure they're probably just going through a bad patch. They'll be back on their feet
soon very soon I hope. So all those idiots and buggers who have been frantically shooting SYC on their blogs, just SHUT UP. Give them time...we're fellow musicians and Singaporeans, no? Support the man on your land! Didn't any of you read the programme closely huhh? On page 4 you'll read these lines, "there are so many human values in what we do every day that it is our task to include and involve more and more people in the emotions and joy of singing. This is why we celebrate the International Day of Choral Singing.
This is a day of jubilation, reflection, brotherhood, solidarity and hope."
SYC, 加油!
Next choir...
JAPAN: Gaia Philharmonic Choir
Works performed were "
Shinjuru", "Mihara Yassa Bushi", Asadoya Junta", "Hohoemi" and
"Tawara-tsumi-uta" . Every piece sung by the choir was written/arranged by Ko Matsushita, the director of the Gaia Philharmonic Choir. The performance by this choir was refreshing, exciting, soothing and inspiring. Even though I understand less than five Japanese phrases, the choir succeeded in bringing across the intentions and moods of the works. Their tone wasn't exactly perfect or gorgeous, but there was this...sincerity that stood out. The piece "
Shinjuru" which actually means 'to believe' was moving. I won't be surprised if some people find it cheese-loaded etc, but hmmmm...that song brought back memories, especially of my time in the TKGS band. (dear Buddy, remember that "
Tsubasa-smthg" song?)
"
Mihara Yassa Bushi", which is actually the Dance of Mihara City was totally happening. The choir's director Ko Matsushita was prancing around or stage and conducted with exaggerated gestures. Not only did these 'antics' bring out the 'flavour' of the music, it also brought out the cultural aspect of the work. Choristers on stage were evidently relaxed and enjoying the process of sharing their culture with Singaporeans with their voices. Two thumbs up! Bravo!
(Found it hilarious that Vince's eyes were glued to the choir's accompanist, Michiko Asai's well-toned arms... Men! Tsktsk.)
Lastly...
PHILIPPINES: Ateneo Chamber Singers
Ahaha, here we have a choir from the Philippines. My favourite country of choral music at all times, haha. Ever since I heard the San Miguel Master Chorale sing in New York, heard Ryan Cayabyab's
"Tunang nay ligaya" and heard the University of Santo Thomas Singers in Singapore, I've been addicted to the sound of choral music from the Philippines. I used to be 'into' Negro Sprituals when I was younger (I still enjoy spirituals very much), all thanks to my encounter with the movie
Sister Act, haha.
Anyway, the point is, people from the Philippines and the Afro-American cultures, they seem to have it in their blood to sing. Just like how I've always felt that the Chinese have it in the blood to excel in activities that require a high level of inflexibility. No? There are pros and cons, don't get me wrong. Indeed I look like anything (and I really mean
anything) but Chinese, I
am proud of my Chinese roots, Chinese food and Mandarin. :)
Aiyohhhh, how did I digress to such an immense extent? Sheesh.
Yes, back to the Ateneo Chamber Singers. Hmm, works performed were
Eudenice Palaruan's "Gapas", Ryan Cayabyab's
"Aba Po Santa Mariang Reyna", Robin Estrada's
"Awit sa Panginoon, Ryan Cayabyab's
"I Believe" and an arrangement of
"You Raise Me Up" by Gianpaolo Eleria. I enjoyed watching the involvement of the choristers in their music, the way the director Jonathan Velasco tuned the choir and listening to the warm tones of the choir. It felt like sitting along a beach, sipping a cold Long Island Tea, enjoying the breeze and the soft caress of the sun. (sheesh, I think I need a holiday. Penang perhaps. Anyone up for a short getaway?) Anyway, for the
"You Raise Me Up", it was such a pity that the tenor soloists were both 'engulfed' by the chorus when they sang their solos! The alto solo was totally cool. Her vocal range is so wide! Woahhh, how I wish I could sing like that!
Personally I prefer the UST Singers more, but there was a certain element in the Ateneo Chamber Singers that was similar to that of the UST Singers, San Miguel Master Chorale, even the Gaia Philharmonic Choir. That X-factor's nothing else but sincerity. These choirs sound...
genuine. To me, that's what allows their voices and their music touch the audience! They seem to really realise the
"...to sing, not to fight but to heal, not to be aggressive but to have mercy" statement by the International Federation for Choral Music
.Hmmm, should make a mental note to always attempt to bring out the 'genuine side' of my bassoon music. I should, I want to, I must.
One thing about the Ateneo Chamber Singers and Gaia Philharmonic Choir was that the 'cheese' content of their repertoire was 80% higher than the SYC. Somehow I realised that at times, a bit of cheese content here and there has a positive effect. To put in simpler terms, it's like the Ateneo Chamber Singers presented Marscapone cheese, Gaia Philharmonic Choir presented Colby cheese and SYC presented Parmesan cheese. Get it?
Wahh all these talk about cheese is making me kinda hungry. Time for a shower, some cornflakes and some counterpoint.
Before I go, to the SYC Ensemble Singers, Gaia Philharmonic Choir and Ateneo Chamber Singers, I was impressed with the effort and thought put into "THREE". This concert was certainly a stimulus and generous example for all choirs around the world to join and sing for much needed peace, and to remind fellow musicians or people from all walks of life to be reminded of human values that are common to all races, religions and creeds: peace, solidarity and respect. Looking forward to the further development of the local choral scene! Vive le musique!
Let us all make music. Together.
Ok, I really gotta go.
Cheers.
(P.S. a dramatic entry eh? Must be due to the overload of cheese. Tsktsk.)